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$52,500.00
An Incredible, Large, and Rare Lapidary Sculpture of a Hand-Carved and Hand-Polished Semi-Precious Labradorite Falcon Perched on a Silver Gloved Hand, Mounted on an Exceptionally Large Rock Crystal Base, with Tsavorite Eyes and 18K Gold Legs.
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An Incredible, Large, and Rare Lapidary Sculpture of a Hand-Carved and Hand-Polished Semi-Precious Labradorite Falcon Perched on a Silver Gloved Hand, Mounted on an Exceptionally Large Rock Crystal Base, with Tsavorite Eyes and 18K Gold Legs. This extraordinary specimen of hand-carved and hand-polished labradorite is stunning. The large bird is carved from one giant piece of semi-precious labradorite stone and conveys a highly detailed appearance with each section of the feathers hand-etched and hand-carved to appear as life-like as possible. The eyes are an impressive life-like color and made up of tsavorite cabochons. The magnificent beak, legs, and talons are made of 18K solid gold' each gorgeously shiny or burnished to represent how a life-like falcon would be. The base is a stunning giant piece of natural rock crystal, most probably mined from the famous 'McEarl' rock crystal mine in Arkansas. The falcon rests on a magnificent silver cast glove with a bell, which represents a falconer's glove. Each section of this masterpieces was put together from different areas of the world where these natural stones were mined and put together by the master stone sculpture Zadora, known for his incredible pieces of lapidary objects which are in the best lapidary collections around the world. All gold elements were most probably done by goldsmith Professor Gennady Osmerkin, whom Zadora had collaborated with on previous magnificent Bird inspired objects. Canada, Circa: 1990 Andreas von Zadora-Gerlof Canadian-born artist Baron Andreas von Zadora-Gerlof, is a master of the stone carving art called Glyptography. Known simply as Zadora, the Baron is famous among an elite circle for creating naturalistic animal carvings and timepieces. His career in Decorative Arts has paralleled those of the historic ateliers of Johan Melchior Dinglinger, Benvenuto Cellini and Peter Carl Fabergé rather than any modern day jeweler. His private relationships with his patrons throughout the world make him a unique contributor to contemporary art history, undoubtedly influential, although rarely in public view. The first American exhibition of the artist's work was presented at the Forbes Magazine Galleries in New York in 1992 and his works have also been exhibited at the Park Avenue Armory for the benefit of the Wildlife Conservation.